Interior Design and interior designers are responsible
for shaping interior spaces, and form a material aspect
of the human experience, that of space and form. Interior
Design is most often associated with architecture but must
also be integrated with the engineering of a building, the
electrical wiring, the plumbing, and the utility of a building.
Interior designers must also anticipate the natural light
available, the accessibility of the building, the use of
a space, and even the landscaping outside. Far from being
mere decoration, interior design determines the final form
and function of the spaces where we live and work.
Interior design, like other forms of technical design,
starts with the exhaustive analysis of the requirements
for each project. The building owner or their representative
works hand in hand with the interior designer to define
the elements and standards that must be incorporated into
the design. For public buildings like hospitals, airports,
libraries and museums, there may be regulatory standards
that need to be anticipated, such as how many people can
be in one room at a time, the level of support for the handicapped,
or the number of clear exits. The designer must thoroughly
understand all of these regulations and ensure compliance
throughout the project. Depending on the use of the building,
the owner may require various styles and materials. For
example, a library is usually a quiet space, with isolated
workspaces for people to think and study in peace. A concert
hall on the other hand, should have an acoustic character
that allows everyone to enjoy the music. The two projects
would have very different requirements.
Once all of the requirements are gathered and documented,
the interior designer moves on to the next phase, the drafting
of design specifications. The designer must have experience
with drawing, drafting, blueprints, and CAD design to generate
the work product needed. Whether for a remodel or a brand
new building, the designer and architect will work very
closely to make sure that all of the requirements are anticipated
in the blueprints and floor plan. Some designers even generate
three-dimensional virtual models that provide a tangible
vision of the space. This type of modeling can be very effective
as a design tool, a virtual tour, and even as a sales tool
for pre-selling retail space, or drumming up further investment
money.

Interior designers must have a deep knowledge of engineering
and construction. The mechanics of plumbing, electricity,
ductwork and framing create constraints on the designs that
must be accommodated. Also, the timeline for construction
affects the timeline for design, as materials and resources
must be available on a clearly defined schedule. Commercial
builders typically work on relatively small profit margins
so the more efficient the project, the more successful everyone
can be.
In addition to their knowledge of construction, interior
designers must have expertise with building materials themselves.
Most often the designer will facilitate the bid process
and purchasing of these materials so they must be familiar
with the cost and economic factors at work. Some of the
materials that an interior designer will regularly work
with include:
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Flooring: Hardwoods,
tiles, laminates, carpeting and more.
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Wall Coverings: Paint,
wallpaper, fabrics, tile, etc.
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Textiles: Tile, swatches,
window coverings, etc.
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Fixtures: Lights, outlets,
switches, doors, sinks, toilets, etc.
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Furniture: All types
for the appointment of waiting rooms, hospital beds, conference
rooms, living spaces, etc.
Like a painter with a palette of colors, the interior designer
has a bevy of materials and resources at their disposal.
This is the part of the process where a designer can bring
their artistic sense and style into play. The way that spaces
are laid out, the lighting that is available, the way that
rooms flow together and the objects that are utilized all
build the character of the space. Form, function and style
all come together to solidify the physical environment,
which in turn affects the mentality and even spirituality
of the space. "Feng Shui" refers to a Chinese
philosophy of the proper placement and arrangement of spaces
to achieve a certain harmony between the environment and
human activity. Whether or not a designer believes in the
principles of feng shui, they should have expertise in its
teachings and be able to incorporate elements in their design.
Similarly, colors and color combinations affect the "mood"
of a room. There have been many studies of the psychological
effect that specific colors generate. While there are no
universal rules for the psychological effect of color, some
of the common ideas connected to colors include:
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Blue: Tranquility,
confidence and loyalty.
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Green: Fertility, nature,
and money.
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Yellow: Joy, optimism
and intelligence.
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Purple: Creativity,
spirituality and wisdom.
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Orange: Energy, danger,
and enthusiasm.
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Brown: Richness, roughness,
and the earth.
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Pink: Femininity, sympathy,
and love.
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White: Purity, cleanliness,
and peace.
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Black: Power, mystery
and death.
The psychology of color is far from being a hard science,
but a good designer should be able to discuss the different
ideas of color, create color schemes, and compliment and
adorn rooms accordingly. It is especially important to note
what colors the client wants to incorporate and whether
their moods tend to be affected by certain parts of the
spectrum. Also, many colors have symbolic relevance in the
various religions of the World. An interior designer that
understands the symbolic energy of colors and forms, as
well as the cultural heritage of their clients, will be
better equipped to successfully perform on a given project.
Another element that bears consideration is the ergonomics
of a space. Ergonomics refers to the study of facilities,
tools and spaces in terms of how they fit the human body.
Ergonomic studies are driven by the commercial need to create
workspaces that are efficient, safe, and conducive to maximum
productivity. Ergonomics then are just one more area of
study that interior designers should be familiar with. There
are many schools of thought, modes of design, philosophies
of color, and different perspectives for interior designers
to assimilate.
Furthermore, there are a host of responsibilities associated
with the business aspect of interior design. Style, form
and function are integral to the work product, but the operation
of a business must also be considered. Before any of the
design can begin, a detailed estimate or bid is usually
generated. Bidding and contracting work accurately and competitively
is vital to success. Bids will generally include a description
of the human labor and materials required to complete a
design project, a timeline for completion, and any optional
arrangements that could be considered. Standard contracts
for interior design work will describe the scope of the
project, timeline, and any liabilities associated with the
work. Profit margins built into the contract will generally
be dictated by market conditions, track record of excellence,
and also any awards, or certifications the designer may
hold.

Interior designers enjoy many resources for ongoing training,
accreditation, knowledge sharing, networking, and for doing
business in general. One organization is referred to as
the American Society of Interior Designers or ASID. This
organization maintains resources for students, educators,
designers and clients. ASID also offers an online job bank
and several certifications that fill out the resume of an
interior designer. The International Interior Design Association
or IIDA also offers many resources and opportunities. These
organizations will often establish chapters by state so
be sure you research the resources available to you in your
state.
The academic study of interior design is typically two
to four years. Degrees include a Bachelor of Fine Arts in
Interior Design, an Associate degree in Applied Science
in Interior Design. Non-degree certificates in design are
also available. The typical undergraduate program in interior
design includes a healthy dose of liberal arts, color coordination,
and culminates in the preparation for the qualifying exams
for certification in a given state. Associate degrees usually
take about half as long and can be pursued on a part-time
basis, which is great for students who are also employed
full-time. Basic, non-degree programs tend to stick to the
primary aspects of interior design such as the history of
design, planning, color, building materials, and finishing
touches. There are many programs to choose from and beyond
personal preference, you should choose a program that will
prepare you to meet your goals, whatever they may be. If
you are seeking a specific certificate, title or accreditation,
be sure your path of study will lead you to that goal. If
you are seeking a specific job with a specific firm, be
sure you develop contacts within that organization even
while you are studying. Its never too early to begin networking,
seeking mentors, and planting seeds in the industry. A career
in interior design can be rewarding and exciting and it
is up to you to plan, execute, and work your way to success!
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